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"Blue Velvet"
Single past Tony Bennett
B-side "Solitaire"
Released September 21, 1951
Recorded July 17, 1951
Studio Columbia 30th Street Studio, New York City
Genre Traditional popular
Length 3:01
Label Columbia
Songwriter(s)
  • Bernie Wayne
  • Lee Morris
Tony Bennett singles chronology
"Cold, Common cold Centre"
(1951) 		"Blue Velvet"
(1951) 		"Here in My Centre"
(1952)
"Blue Velvet"
Single by Bill Farrell
B-side "Be Mine This evening"
Released September 1951
Genre Traditional pop
Length ii:31
Label MGM
Songwriter(southward)
  • Bernie Wayne
  • Lee Morris
Nib Farrell singles chronology
"Four Twenty A.M. (with The Girlfriends)"
(1950) 		"Blue Velvet"
(1951) 		"Sky Knows Why"
(1952)
"Blueish Velvet"
Single by Arthur Prysock
B-side "The Morningside of the Mount"
Released September 1951
Recorded July 23, 1951
Studio Decca Studios, Pythian Temple, New York Urban center
Genre Traditional pop
Length 2:57
Characterization Decca
Songwriter(s)
  • Bernie Wayne
  • Lee Morris
Arthur Prysock singles chronology
"Blue Velvet"
(1951) 		"(Information technology's No) Sin"
(1951)

"Blueish Velvet" is a pop song written and composed in 1950 past Bernie Wayne and Lee Morris. A acme 20 striking for Tony Bennett in its original 1951 version, the song has since been re-recorded many times, with a 1963 version by Bobby Vinton reaching No. one.

Inspiration/ Composition [edit]

Songwriter Bernie Wayne was inspired to begin writing "Blueish Velvet" on a 1951 visit to Richmond, Virginia where he stayed at the Jefferson Hotel: at a political party at the hotel Wayne continually defenseless sight of a female person guest dressed in blue velvet with whom he would take a holiday romance.[ane] [2]

Tony Bennett original version and 1951 covers [edit]

The vocal'due south co-writer Bernie Wayne had pitched "Blue Velvet" to Columbia Records head A&R human being Mitch Miller, who as before long as he'd heard the song'southward opening measure out: "She wore blue velvet", had suggested giving the vocal to Tony Bennett. (Wayne's response: "Don't y'all want to hear the rest of the song?", caused Miller to opine: "Quit while you're alee!")[iii] Recorded in a July 17, 1951 session with the Percy Faith orchestra and released September 21, 1951, Bennett's version peaked at No. xvi on the Billboard chart of "Records Most Played by Disc Jockeys",[4] while reaching No. eighteen on Billboard'south chart of "Best Selling Pop Singles",[v] and No. xviii on Billboard'due south chart of "Most Played Juke Box Records".[half-dozen] Bennett'due south version of "Blueish Velvet" made its album debut on a 1959 compilation LP that was also titled Blueish Velvet. [vii] The single'southward B-side "Solitaire" was also a Top 20 striking.

"Blueish Velvet" was expediently covered by Arthur Prysock—whose version although recorded a calendar week after Bennett's evidently was the commencement version released, in August 1951—Bill Farrell, and Norman Kaye (a solo act who was also a fellow member of the Mary Kaye Trio): the Cash Box Top fifty singles nautical chart ranked Bennett'due south version and the three covers in tandem, with a peak position of No. 12 attained on the chart dated Dec 1, 1951.[viii] Greenbacks Box as well ranked Bennett's version equally loftier as No. 11 on its chart of "The Nation's Top 10 Juke Box Tunes"."[nine]

The New York Times music journalist Stephen Holden would vaunt "Blue Velvet" as i of the four tracks which defined the first stage of Bennett'southward recording career: co-ordinate to Holden "Blue Velvet" along with "Because of Yous" (1951), "Common cold, Cold Eye" (1951), and "Stranger in Paradise" (1953), "stand as the gorgeous last flowering of the high-romantic style invented in the 1940s by Sinatra [with] arranger Axel Stordahl. Pure and throbbing, ...Bennett's voice adds a semi-operatic heft to Sinatra's more intimate crooning manner. Male pop singing since [the mid-1950s] has never been [so] unabashedly sweet."[10] In 1957 Bennett would begin a longstanding working relationship with jazz pianist Ralph Sharon who Bennett would retrieve advised him: "If you keep singing...sweet saccharine songs like 'Blue Velvet' sooner or afterward...you're going to finish selling [records]" and with his 1957 anthology The Beat of My Center - produced and conducted past Sharon - Bennett had launched a new musical persona every bit an intensely intimate song stylist.[eleven]

A live version of "Blue Velvet" was featured on the 1962 concert anthology Tony Bennett at Carnegie Hall, [12] with the pick being included on The Expert Life, a 1963 EP release in the UK.[13] Bennett dueted with one thousand.d. lang on a remake of "Bluish Velvet" for his 2011 album Duets Ii, [fourteen] while Bennett's 2012 album Viva Duets featured Bennett duetting on "Bluish Velvet" with Maria Gadú, who sang her part in Portuguese.[fifteen] ("Blueish Velvet" was a bonus cut on an edition of Viva Duets sold exclusively through Target.)

The Clovers version [edit]

"Bluish Velvet"
Blue Velvet Song Recorde Single.jpg
Single past The Clovers
B-side "If You lot Honey Me (Why Don't Yous Tell Me So)"
Released 1955
Recorded December 16, 1954[16]
Studio Atlantic Recording Studios, New York Urban center[16]
Genre Rhythm and dejection
Length 2:38
Label Atlantic
Songwriter(s)
  • Bernie Wayne
  • Lee Morris

In 1955, the Clovers released a version of the song through Atlantic Records as a single.[17] The song was initially recorded, produced, and released when the R&B group was still composed of John "Buddy" Bailey (lead singer), Billy Mitchell, Matthew McQuater, Harold Lucas, Harold Winley, and Nib Harris.[xviii] Diverse members of the group left, died, or were replaced, although the group as a whole all the same performed the song regardless of whom its members were. The single reached No. 14 on Billboard'due south Rhythm & Blues Records nautical chart of "Best Sellers in Stores".[19] In 1956, the Clovers released the song on their eponymous album.[20]

The Statues version [edit]

The outset version of "Blue Velvet" to announced on the Billboard Hot 100 during the rock 'n' roll era was recorded and released by the Statues, a Nashville-based doo-wop trio consisting of Buzz Cason, Hugh Jarrett, and Richard Williams.[21] In 1959 Cason and Williams, members of local rockabilly band the Casuals, had been invited by Jarrett, a former member of the Jordanaires and later a disc jockey at WLAC, to join him - along with veteran background songstress and composer Marijohn Wilkin - to form a vocal chorale who would back artists recording in Nashville;[21] [22] the 3 male members of the chorale were signed to Freedom Records past label founder Al Bennett, who had Snuff Garrett - in his apparent debut as a producer - tape the trio in 3 sessions at the Owen Bradley Studio at the end of November or the beginning of December 1959.[23]

Two sides from the Garrett sessions had a May 1960 unmarried release credited to the Statues (the group name was a reference to the Statue of Freedom, as the grouping was signed to Freedom Records): the intended A-side was the Marijohn Wilkin original co-write (with Polly Harrison) "Go on the Hall Calorie-free Called-for" but information technology was the flip: a remake of "Blue Velvet", which would not but become a Top Ten hitting in Nashville but also rank on regional hitting parades beyond the US ascension as high as No. eight on the September 30, 1960 Top 50 survey for preeminent Los Angeles Top forty station KRLA.[24] Nevertheless, the Statues'southward version of "Blueish Velvet" would but accumulate enough focused national interest to rank on the Hot 100 for a period of three weeks in August 1960, with a peak of No. 84,[25] [26] while reaching No. 80 on the Greenbacks Box Top 100.[27]

Bobby Vinton version [edit]

"Blue Velvet"
Single by Bobby Vinton
from the album Blue on Blue
B-side "Is There a Place (Where I Can Go)"
Released August ii, 1963[28]
Recorded May 27, 1963[29]
Studio Columbia Recording Studios, Nashville, Tennessee
Genre Traditional pop
Length 2:47
Label Epic
Songwriter(southward)
  • Bernie Wayne
  • Lee Morris
Producer(s) Bob Morgan
Bobby Vinton singles chronology
"Blue on Blue"
(1963) 		"Blue Velvet"
(1963) 		"There! I've Said It Again"
(1963)

Background [edit]

The most successful recording of "Blue Velvet" was recorded (on May 27, 1963) and released by Bobby Vinton in Baronial 1963, backed by Burt Bacharach and his Orchestra.[29] Bobby Vinton's version reached No. 1 on the Billboard Hot 100 on 21 September 1963 and remained at No. one for the subsequent 2 weeks.[30] [31] "Blue Velvet" also afforded Vinton a No. one hit on the U.S. Middle-Road Singles chart, where its No. 1 tenure was eight weeks.[32] [33]

Bobby Vinton's No. 3 hitting in the summertime of 1963, with "Blueish on Blue", prompted the recording of the Blue on Bluish album comprising songs featuring the give-and-take "blue" in the title. Although songwriter Bernie Wayne would remember beingness told by Vinton that the vocalist had wanted to record the song since hearing the Tony Bennett version in 1951[ii] information technology was reportedly Vinton's friend, music publisher Al Gallico, who suggested "Blue Velvet" as a Bluish on Blueish album track and sent his secretary with a dollar to a music store to purchase the song'due south sheet music; an hr later, Vinton had recorded "Blue Velvet" in two takes. Vinton did not expect the song to be a hit, and believed that his remake of "Am I Blue?" had more sales potential.[34]

Vinton'south version was ranked No. 5 on Billboard 's end of year ranking "Top Records of 1963",[35] No. 4 on Cash Box'southward "Top 100 Chart Hits of 1963",[36] and No. 8 on Cash Box 's "Top 100 Chart Hits of 1964".[37]

Vinton's recording failed to brand the British charts when originally released, merely the track's being heard in a televised advertizing entrada for Nivea cold foam effected a 1990 Uk re-release[38] with "Blue Velvet" reaching No. ii on the Britain Singles Chart.[39]

Charts [edit]

Lana Del Rey version [edit]

"Blueish Velvet"
Lana Del Rey Blue Velvet Cover.jpeg
Promotional single past Lana Del Rey
from the EP Paradise
A-side "Ride"
Released September twenty, 2012 (2012-09-20)
Genre Sadcore
Length 2:36
Label Interscope
Songwriter(due south)
  • Bernie Wayne
  • Lee Morris
Producer(south) Emile Haynie
Lana Del Rey promotional singles chronology
"Carmen"
(2012) 		"Bluish Velvet"
(2012) 		"Burning Desire"
(2013)

American singer and songwriter Lana Del Rey released a cover of the vocal "Blue Velvet" in 2012. It was taken from reissue of her second studio album Born to Die – The Paradise Edition and her 3rd EP, Paradise. It was released as a unmarried on September 20, 2012, through Interscope Records, and used in an advertising entrada for the clothing retailer H&M.

Background [edit]

Del Rey had recorded a embrace of "Bluish Velvet" for her 2012 H&Yard Fall campaign.[52] On September twenty, the vocal was released as a unmarried.[53] Del Rey was selected for the H&Thousand advertizement entrada after an impressive performance at a Mulberry dinner party. Industry moguls Michelle Williams, Alexa Chung, Elizabeth Olsen, and Anna Wintour attended the party and were impressed by the performance. A public relations manager for H&M said Del Rey was called considering they "were looking for a manner icon and vocaliser to model our fall collection then Lana Del Rey was the perfect choice."[54] [55]

Music video [edit]

On September 19, the music video, which served as a commercial for the H&Thou 2012 Autumn Collection likewise, for "Blue Velvet" was released through H&M.[56] In the video, Del Rey is singing the vocal in a depression-lit room before an audience of pallid people, playing an Americana lounge singer dressed in a pink mohair sweater,[57] She is and so hypnotized.[58] Iii women dressed identically to Del Rey sit down on a couch and watch her coldly.[59] At the end, a trivial man walks into the room, pulls out the plug for Del Rey'southward microphone, silencing her.[58] Compared to the David Lynch film of the same proper noun,[60] it was directed by Johan Renck.[threescore] and equanimous in mail-Earth State of war II Americana fashion and the notion of external beauty cloaking inner vulnerability.[61] A behind the scenes video was filmed and posted to H&M'due south official YouTube channel.[62]

Critical reception [edit]

Rolling Stone called Del Rey'southward encompass "doleful."[58] Carl Williot, of Idolator, dubbed Del Rey's encompass "beautifully languorous and dreary (though [information technology] is replete with her go-to swell of strings and grainy programmed beats)."[61] Jenna Hally Rubenstein, writing for MTV, chosen the commercial and vocals "moody, totally broody," playfully adding, "What would a Lana Del Rey campaign be if it didn't make you feel a tad depressed?" In the video, Rubenstein said Del Rey was a "ridiculous dazzler" sporting a Brigitte Bardot–inspired look, which she added, not every vocalizer tin pull off.[59] People said the video was dramatic, intriguing, unique, and played off the moody, vintage Hollywood image of the retro-inspired starlet. Accordingly, they wrote, the video had movie noir elements.[63] Specifically, it was compared to the neo-noir film, Mulholland Drive, besides as to the picture Blue Velvet itself.[64] In an interview with Artinfo, David Lynch spoke out about Del Rey's comprehend:[64] [65]

Lana Del Rey, she's got some fantastic charisma and — this is a very interesting thing — it'south like she's born out of some other time. She'due south got something that's very appealing to people. And I didn't know she was influenced by me![64] [65]

Track listing [edit]

Digital download [66]

  1. "Blue Velvet" – 2:36

Credits and personnel [edit]

Credits adapted from the liner notes of Paradise.[67]

Performance

  • Lana Del Rey – vocals

Instruments

  • The Larry Gilded Orchestra – strings

Technical and production

  • Ben Baptie – mixing banana
  • Spencer Burgess Jr. – assistant recording engineer
  • John Davis – mastering
  • Tom Elmhirst – mixing
  • Larry Golden – string arrangements
  • Emile Haynie – production

Charts [edit]

Release history [edit]

Other recordings [edit]

The Paragons released a version of the song equally a single in 1960. Their version reached No. 103 on Billboard 's "Bubbles Under the Hot 100".[79] It spent three weeks on the chart in the autumn of 1960, sharing the "Bubbling Under" chart for 2 weeks with the version by the Statues, which had simply dropped off the Hot 100 (run across Section 4 to a higher place).[79]

Lawrence Welk and His Orchestra released a version in 1963, every bit a single and on the album Wonderful! Wonderful! [fourscore] Information technology reached No. 103 on Billboard 'southward Bubbling Nether the Hot 100.[81] A unlike, fully instrumental recording was featured on Welk's 1965 album Apples & Bananas.[82]

The 2022 album Upward Spiral by the Branford Marsalis Quartet with vocalist Kurt Elling features a remake of "Blue Velvet".[83]

Australian singer Kylie Minogue recorded "Blue Velvet" and included information technology as the fourth song in the rail listing of her 2022 live album Golden Live in Concert.

The Moonglows recorded "Blue Velvet" in 1956, merely it was not released for several years.[84]

Use in picture soundtracks [edit]

Bobby Vinton's "Blue Velvet" is one of the thirteen songs featured in Kenneth Anger's groundbreaking experimental motion picture Scorpio Rising (1963). Tony Bennett'due south version of the song is featured in The Final Picture Show and Raging Bull.

Bobby Vinton'south version is featured several times in David Lynch's 1986 picture Blue Velvet. The motion picture drew partial inspiration from the song's lyrics, where Isabella Rossellini, who plays Dorothy Vallens, a vocalizer in the film, sings the vocal in-character.[85] Lynch selected the vocal, considering information technology conceptually matched the mood of the picture. Specifically, in an interview he gave to the Village Vocalization, Lynch said of the song: "The mood that came with that vocal a mood, a time, and things that were of that time."[86] Songwriter Bernie Wayne would land that at the film's premiere he was told by Lynch that when he was a high school pupil in 1963 Vinton'south "Blue Velvet" had been his favorite song.[87] The film heavily incorporates portions of the song.

Bobby Vinton's version is featured one time, in the fourteenth episode of Kamen Rider Kuuga, as the Gurongi Me-Gyarido-Gi backs up a truck.

References [edit]

  1. ^ Herbert, Paul Due north (2012). The Jefferson Hotel: the history of a Richmond landmark (1st U.s.a. ed.). Charleston, Southward Carolina: The History Printing. p. 126. ISBN978-1-60949-687-vi.
  2. ^ a b Indianapolis Star 20 Feb 1988 "Music's Polish equally Velvet: songwriter touts Greenfield film" by Scott L. Miley p.B-1
  3. ^ Bennett, Tony (1998). The Good Life: the autobiography of Tony Bennett. New York, New York: Simon & Schuster. ISBN978-1-4165-7366-1.
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Source: https://en.wikipedia.org/wiki/Blue_Velvet_(song)

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